ĩ NO T E : I t is imp or t an t t o k eep in m in d t ha t t he p ur po se of th i s se tt in g i s t o “ un do ” t he e ff e ct o f an y l ow - cu t fi l te r t ha t w as us ed t o cap tu r e yo ur au di o. Th e pu rpo s e of th es e s el ect i on s is to re mo v e t he e ff ec t o f th e s ou rc e m icr oph on e, r es ul ti ng in t h e si gn al th at w ou ld. Ĩ S o u r c e M i c S e c ti o n Th e So ur ce Mic se ct io n is whe r e y ou s pe ci fy th e m ic a nd th e s ett i ngs th at w er e ( or w il l be ) us ed t o ca pt ur e th e i np ut s ou nd. H ow e ve r, if yo u ha v e t he c ho ic e (w hi ch yo u typ ica l ly w il l f or e ve ryth in g b ut a l.
ħ C h a p t e r 3 : U s i n g M i c M o d E F X L i v e o r M i x d o w n ? Mi c Mo d EFX f u nct io n s eq ua ll y w el l pr oc es si n g a udi o d ur in g i ts o ri gi na l pe rf orm an ce o r l at e r du ri n g th e m ix do wn p r oce ss. U si ng ou r pa t en t ed S pe ctr al Sh api n g T oo l™ t ec hn.
ANTARES MIC MODELER EFX TORRENT MOD
ĥ A m ode rn r ei nca rn at i on o f An ta r es ’ r en o wn ed M ic ro ph on e Mod el er pl ug-in, Mi c Mo d E F X l et s an y r eas on ab le q ua l ity m ic ro ph on e s ou nd l i k e an y o f a v ar ie t y o f h is t or ica l cl as si c a nd r ar e e xo t ic m i cr oph on e s.
P lea s e r ef er t o y ou r ho st ap pl ica ti on ’ s u se r m an ua l f or m or e i nf o rma t io n on i n sta l li ng an d us in g p lu g -in s. ģ C h a p t e r 1 : G e t t i n g S t a r t e d I n st a l l i n g M i c M o d EFX Mi c Mo d EFX i s d es ig ne d t o w ork wi th a wid e va ri e ty o f di gi ta l a udi o a ppl i cat io ns. Be fo r e yo u p ro ce ed a n y fa rth er, w e’d li k e. ġ W e l c o m e ! On beh al f o f e v ery on e at Ant ar e s Au di o T ech no lo gi es, w e ’d li k e t o o ff er bo th o ur th an ks a nd c on gr at ul a ti on s on yo ur dec is io n t o p ur ch as e An ta r es M ic Mod E FX, th e w or ld’ s on ly cl as si c mi cr op ho ne mod el er. Ĭ o n t e n t s Ch apte r 1 Ge t ti ng Started 3 Instal li ng a nd Authorizi ng T echnica l Su ppor t Ch apte r 2 In trodu ci ng Mi c Mod E FX 5 About the T echnol ogy So W hat Exactly Does It Do ? Ch apte r 3 Us i ng Mi c Mo d E F X 7 Live or Mixd ow n Si gnal Flow Controls Input Section 7 Source Mic Section 8 Model ed Mi c Section 1 0 T ube Satur. Y ou m ay te rm i na te th e ag r ee me nt at a n y t im e by no ti fyi ng Ant ar e s an d de st r oy in g a ll c op ie s o f th e m an ua l, an d er as i ng Mi c Mo d EFX f r om a l l ma ch in e- r ea dab le me di a, w he th er o n. T er m of th e A g re em en t Th is a gr eem e nt i s e ff ec ti ve un ti l t e rm in at ed b y yo u o r An ta re s. Ma ki ng c op ie s, a da pt at io ns, o r de ri va ti ve w or ks w it ho ut th e pr io r wr itt en a ut ho ri za ti on o f An ta re s A udi o T e ch no lo gi es, is pr oh. Th e O b li g at o r y L e g a l M u m b o -J u m b o Th e An ta re s ® Mic Mod ™ EFX s oftw ar e an d th i s Us e r’ s M an ua l ar e pr o te ct ed by c op yr ig ht la w. All ot he r t ra de ma rk s ar e pr op erty o f t he ir re sp ec ti ve o wne rs. Ce rtifi ed I s in gl as s-fr e e ™ An ta re s®, A ut o- T un e®, A VO X®, an d Ha rm on y E ng in e® a re re gi st er ed t ra de ma rk s o f An ta re s A ud io T ec h no log ie s.
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